The History of Extremadura through its Emblematic Cities
From Roman ages all the way to Arab stage until the Conquest of America this
is a small travel across some of the most important cities of Extremadura: Mérida,
Trujillo y Cáceres.
Written by Mª Dolores Gómez Tamayo

Roman Theatre -Mérida
We begin our journey in the city of Mérida.
It has preserved the monumental well-kept remains of the Roman
colony of Emerita Augusta. It was founded on 25 b.C. and it became one
of the most important colonies of the Roman Empire.
The Theatre, Amphiteatre, Roman Forum
and the Circus are in a very good state of
upkeep. Besides, temples, roads, bridges, aqueducts and dams are attractive
remains that show the Roman presence in Mérida and its surroundings.
At the north of Mérida, in the Silver Way we reached
Cáceres, here the Arab influence is
shown in every single detail and corner of this city. The almohads conquered
the city and turned it into an Arab city called Oarci.
This was perfectly defined with its walls and doors.

Palacio de las Veletas' cistern - Cáceres
The arab remains in Cáceres are the walls, the merloned
towers and the magnificient well-kept cistern which is situated on the underground
floor of Palacio de las Veletas.
Nevertheless, in Cáceres stands out the medieval
remains; the old part of the town was declared World Heritage by Unesco
in 1986. The visitor enters in the Middle Ages through
noble stately homes, churches and convents. The
towers of the Old Town of Cáceres show a special feature, all of them
were cut the top off. The Queen Isabella I of Castile commanded it in order
to punish the pride and insubordinated nobility in the city.
We finish our short journey in Trujillo,
craddle of Francisco Pizarro one of the Conquerors of America. Trujillo's
palaces and stately houses are ,therefore, a reflection of the the wealth that
the Conquest of America brought to Extremadura and specially to Trujillo.

Castle walls - Trujillo
Among all these palaces the Marqueses
de la Conquista's Palace stands out , it belonged
to Pizarro family. Its balcony is adorned with plateresque motifs and a reference
to Inés Huylas Yupanqui, an Inca princess
married to a Pizarro's relative .